Friday, December 3, 2010
Cat
Miss Blue Eyes
Machine
The Grapeskins
Thursday, November 25, 2010
White Mississippi Lynching of the Freedom Summer: 1964-2010
White Mississippi Lynching of the Freedom Summer:
1964-2010
“You sir, are a racist!”
They said.
When they looked me in
the eye and were
afraid.
“You are the one
with a problem.”
They said.
As they told me that they
were the ones with the money
and the guns
and the words
and the knifes
and the handcuffs
and the tanks
and the nukes
and the whips
and the chains
and the skin.
They said I am the one with the problem
as they locked my
handcuffs in place;
speckling red drips
on white forearms
like red crosses
on white hoods.
Their eyes are all
I can see through my puffy
swollen face, laying
on the side of the road,
being dragged into the
woods, while my
tongue is cut
out and while my own
likeness ceases to search for me.
While my own likeness
continues to torture my
body, my flesh:
c / u /t, my entrails springing
out like the
alarm clock
I tried to be:
broken.
There are few like
me in this world
and fewer still
like me in its history.
The whistle blower
holds the same letters as
my alleged skin color,
but if I point
it out, I can be martyr for no one
but I can be killed.
Historically speaking,
I will actually be silenced.
Historically speaking.
I will actually be silenced
by the very category of people
I see in the mirror.
The very category of people
who say, “You sir, are a racist.”
Well then, I must walk this
chalk-drawn-line
on tiptoes.
For the white dust that marks
the world’s walk
is dotted with drops of blood!
The same as the ones on my forearms
and the same that
have stained my shoes.
And the same that have stained
their white hoods.
I sir, am a racist.
I must let them know
that they are right.
For I am not white.
I am pink.
I am the blood of oppression
that has been worn in my coat jacket
past down from my father and his father before.
I am that blood stained red that
is all that’s left of it’s white leather beginning,
that my father can barely see and that his
father can’t see at all.
I am the permeation of that stain through that jacket
into my skin, and into my own blood.
It courses through my blue veins of empathy
into my purple heart of love and becomes my own red blood.
I am forever changed of color,
“white” skin stained pink.
The same red blood runs in me now that
has always been spilled.
Perhaps if the red of human blood
was the only,
the only color everyone cared about
then maybe it wouldn’t matter that I’m pink.
Maybe it wouldn’t matter what color anyone was.
Knuckles
Knuckles.
I.
I guess I laid my backhand
down on the sunspot burner;
boiling- red – communist:
Giving and taking equally,
as its warmth to bone-shank soup
allows growth—its warmth to
flesh though, chars and scalps,
my knuckles raw: cracked cobblestone,
black and peeling top layers.
II.
Prayers for third degree
burns need not fly to the other
side of my palms. They should drip into
the rivers run with pollution, brackish and
swimming with silt. Like my lungs, post pack consumption.
There the water prayers, liquid humanity,
will be filtered and cleaned and will leap
from little home taps, faucets, and sinks:
rustic brown-red metals, shiny silvers, cold
and gray pipette giraffes, children’s toys
largely ignored until: burn.
III.
The flesh singed, epidermal ruptures occur:
blisterous mountain tops popped with the
abandon of boredom and dissatisfaction.
Infection holed up under finger nails are
Toe jam hermits, vagrants, bumming smokes
under freeways, not speaking- for the cars on
the overpass speak for them--
they say nothing.
They stay there until there is no
room left for them.
They get reckless, and pull apart that ground
leaving pink tender craters outlined in translucent
vulnerable flaps of flesh, infected unless:
IV.
Those prayers made it into the water.
Cool, soothing H two prayers.
I can leave the scarred arms and singed bricks the
vagrants pulled up from my cobblestone
walk. I simply need to turn on the water.
Other humans will run over my hot red skin,
little circles of shame, they will
soothe
my
Burn.
The L Train
The L Train
Your slanted azure (sk)eyes;
with their brown splinters-
that cloud the black pupil, they
caught mine on that ride.
They held memories in
place; like that blue house
with the magenta ivy side,
which sat on the corner plot,
next to your house on our street.
The simple street we
ran when we were foot-racing,
when the wind felt like paint
brushes, bristling dry red
blush left in lines marking our
bodies:
Warriors of innocence.
Warriors of a grace conflicted.
Like bleeding red cuts for the sake of
never bleeding at all.
We would touch the brown
wood door, who still bore the
image of the oak tree it came from
within our own minds, then we
would sprint head-first
Back! To your lawn panting,
gasping for breath. Our lungs
clawed for consensus with
our brick-hued heart.
We looked to circulate
the blood they pump, the
same blood that courses now
on these tracks. Though, it
travels now in larger veins.
Of course, those weren’t your
(sk)eyes. Of course, they’ve never
seen the course we ran those days.
Of course though, only you and I
had ever seen the azure skies
and brown splinter clouds that
marked the course boundaries of our
racetrack all along.
Cincinnati or: The place I had a home
Cincinnati or: The place I had a home.
Careening down the highway,
275 loop eastbound past the Kenwood rd. exit.
I pause
and light a cigarette.
There is no longer solace on this
slick black sober road or in the
pond shallows I pass that sit awestruck
like the men who saw the suicide, silent and static:
in front of my red brick and green-blue
bottle glass highschool I see fleeting.
The tall white oak decaying in the
middle of its front entrance stands a
pillar of what education?
I “learned” by sitting in beige desks
with the chair still attached like shackles
cutting into my spine rather than my wrists.
I never bled, but each day left the tan hallways
over the mismatched green and white tiles
through the dried yellow fields into my grey
car, rolling to Cornell road. Until I get back
to Lake Isabella, the place I would fish
when my father was still waking at
4:30 and was still walking into
my room.
The lake passed, I’m back to the yellow farmhouse
The one that’s stood since the civil war, the one
where Morgan’s raiders slept peacefully
in their burlap pop tents waiting.
The one that has a new neighbor
designed by the coats and sold to the
yuppies who just want their children
to attend my red brick and green-blue bottle glass highschool.
“Buy them a bicycle” I say as I flick my cigarette
in their yard- I learned more on Twightwee rd. past the Arby’s
by 84 lumber the time I realized the folded leather
that held me inside was lost, and the
six-pack I had in my hand was running out.
You can’t bike back up Loveland Maderia. You just
can’t fit between the corvettes and cadillacs. You have to
get back to the bike path with the fresh asphalt.
The one that takes you all the way to Morrow past the old
ammunition factory where my grandparents live. You
have to take it back to the Pony Keg where they sell
to underage children.
You can ride back down Loveland Maderia sure,
but only through the Walgreen’s lot and past the
Speedways that were Marathons.
Then you walk next to the 275 loop back to
bike trail and past Lake Isabella, where my
father took me to fill the air in my bike tires
the air pump neatly stationed out of place
by the boat rental. Just like a sun cap in the
moon’s souvenir shop.
He should never have put any air in those
tires. Then I’d never had lost myself
and now coming down the 275 loop
wouldn’t feel so much like returning to my coffin:
mahogany, vinyl, and cold.
Train
Train
I am confined to the cold
rusting steel and splintered
wooden slats. Only moving from
point: a. to
point: b.
There is no freedom, never was.
I was created to be obsolete.
They made me to work and
then made the little metal play things.
Rouge breasted coupes with
belts for stopping the passengers.
Little metal play things to turn at
stop lights or stop
. On a dime
when I cause the salt and peppered striped
dividers to fall like the sides of their
drivers lips, and the skin in between their brows
falls too, and sweats like my steam, theirs
in anger, mine in exhaustion.
Am I really that awful?
That my back breaking freight
isn’t enough for the precious
minutes ticking away like tellers’
fingers counting stacks of money:
chugging along, regular, like me.
Sometimes, the coal black that my
back holds is not equal to the red of my
engine coal they throw in me with
no mercy. My heart it burns glowing orange
and red haze, for as long as they
deem I must move.
My spinal columns connected by
little iron loop bones connecting car to car,
the weight pulls the cool metal taut for as long as
they deem I hold it.
Their favorite fuel
is my burden and I have no choice to
place it on my shoulders, armless to steady.
Surely those beings who made me can see
that sometimes Atlas needs encouragement
and would love a break from his eternal weight.
I wish, I were Atlas. At last then, the
weight I hold would be for everything,
and not for the slanted angry eyes
who’s blues and browns never
sparkle in their disgust at their wait,
in their shoveling for my heart,
in their contempt for my obsolescence.
Alas, though, I am no Atlas.
I just bear my freight and plug
along. No one knows that each
whistle’s a wail of hope
to get off these tracks. And the steam
the closest to tears that my life
will ne’er see that day.
Sunday, July 4, 2010
Guilty.
how heavy heaven feels
in the weight of my fingers
stroking the skin between
my eyebrows and nose
calculations are cold
and the rigidity of their
actions cannot be left
in the memories of hands
that are not my own.
How hollow? How long until
this hallowed presence
will be gone this time?
I had my convictions made
and there on that bench
I took three steps back.
mother may I stop shaking
now and feel again?
It is refreshing yes,
but this is frightening.
I know it will always
continue but the difference
is just that.
This emptiness eclipsed
by ghost arms who never hold me anymore.
Wednesday, June 23, 2010
there were flowers in the sill
of the farmhouse windows,
and the storm shutters
were still open for the evening
they left out the lemonade pitcher
and glasses on the porch
and the horseshoes
were strewn about the yard.
but the storm shutters
were still open for the evening.
into the morning they would remain.
but eventually they must go back
to the hard work of
protecting a thin pane.
and they creak when they close
groans, shouts, of agony
in their existence
they pray to jesus that they will
never be used again
but the clouds are moving quickly.
their yellow is peeling and
the rust on their screws
pinch them as they turn,
misinformed hands have moved
them from their rest
and they wait poised until
the light can pass through again,
solemnly they weather the tears
of rain.
Tuesday, June 22, 2010
it was just peeking through
the lines of the shade
and painting that sepia tone
to our floor
that portrait framed, i had one choice
whose consequences were not my own.
i own them though
and keep them in my breast pocket
it's crowded there
everything that's spilled over
can't seem to find a better place
and i am left
a child.
Looking at dandelions
like they were roses
and hating that they sprout in my chest.
pock marked like cheeks
with memories
blotches of red rise
and soften, where i never could.
Monday, May 10, 2010
2003
Babies
Tonight I hear the faintest voice
Eternal View
Poll in. Ate it.
Def Poeme
If i could craft the music like i can my words
a symphony the likes unheard
of swelling melodies
and harmonious notes dot
the lines of the clefs bereft
my thoughts emote
the rhythms aligned so softly
to float your weary mind away
to the thoughts of green
If i could pen a rest in time
like the periods of these lines
it would stop your breath and halt your mind
and then noise again vibrantly shining
the violin strings would echo your name
in chorus sing the pleasant refrains
of my arm on your shoulder
the bass line wouldn't smolder
but hold her head up like my fingers on your chin
and the brass section i'd play would
begin to step in and sway your hips
and we'd dance, yes we'd dance
If I could beat a drum to mimic our hearts
when we're holding each other to start
the timpani would be deafening
and the snares it would be fair to say
delicate claps of the finger play between our hands
the band alive from the bass drum beats
that swell behind and lifts our feets
in four four time to waltz again
and look back to stare those times, we smile within.
Def Poetry #28
it seems as though I cannot stay
put in one frame of mind
I feel as if wind scattered brain
ideas taking flight with no heed
fleeting flashing and darting
through this skull
absorbing every instance
acknowledging every thought
to the fullest extent of the law.
changing.
subtly slowly I change.
And my heart it cries.
as it always has.
a quiet tear broken on the
face of laughter,
chilling to my bones
i can smile and emote
the happiness of my being
but part and whole feel separate.
it is unnerving to say the least.
for I tear myself consistently
in the tugs of the needles of self
in the patchwork of connecting thoughts
I lose with each sharp stitch a
previously understood idea replaced with
a stronger thread
a newer material
something more durable
for the hole that stitch had filled
the connection it had made
the frame of mind it
represented.
resented.
My self
resented.
My self
resented.
Sunday, May 9, 2010
The apple and the tree.
Saturday, April 24, 2010
Or Anything
Passion
Eyes the tongue
Tuesday, April 6, 2010
Birthday Poem
Birthday Poem
Sunday, April 4, 2010
Wednesday, March 10, 2010
Def Poetry #22
Def Poetry #21
so show me your shoulder blades
and i'll show you my sign
that i left propped up against your walls
i heard it fall in the night but thats okay
cause i just woke up and smiled
her heart, i hear, can be heard from her head
and i hear her heart in mine
and i hear her veins, rather the cells
moving through
and i silently sigh
and i silently smile.
for after awhile i notice we're both awake
but more important we're both alive
and you can call me silly but this feels real.
something like that- yea.
something like that.
so show me my place on your bedside table
and i'll show you yours on mine
i leave you propped up against my chest
and i feel you fall and rise in the night but thats okay
cause i just wake up and smile.
her mind, mayhaps, materializes marvels
and i marvel at the magnificence therein
and I hear her soul, yes her soul
moving through
and I silently listen
and I silently smile
for after awhile I notice mine moving too
but more important we're both alive
and you can call me silly but
this feels awfully real.
something like that.
yeah, something an awful lot like that.
so show me a reason to say im sorry
and ill show you that i'm not for pulling you closer
i'm not sure how exactly to phrase
or convey the way that I mean
but it's something like that.
i think if its not already it's only a matter of time yeah,
something an awful lot like that.
Sunday, February 21, 2010
Def Poetry #20
silently smiling i left-
and deftly your words crept
up and slept in my brain
displacing the swept complaints
of inept restraints i had placed
to chase away the wept afraids
and on my walk i heard your words talking
in their sleep
awakening the happy feelings hidden deep
braiding the time and place
to secure a more solid pace
imminent release of the rise and fade
and the sunlight from the shade
plays across your face
in this memory of that smile that spread,
in our shared bed
lazily lingering, your fingers
still give chase in the hair on my neck and the back of my head
and i still can feel the press of your lips
and the warmth of your body displaced
into mine and mine slipped into yours
and yours slips into my mind
i smile and walk silently by
day dreaming my life, as it takes its real shape
the black and white lens of this embrace
provides escape from the thoughts that race
and your hands
have walked the small of my back
and back to their home in my own
and i've seen the place in your eyes
where there is no black
just the brightest of light
and as our lips press so tight
an understanding grace falls slightly-
and in that profound sound of silence smiling
i begin to think that you and i, we got it right
or it got me right
or it got us right
yeah it got me the right motivation
the motive elation of the momentous
anticipation
and in these moments i masquerade in movement
so momentary like laughter in times of maturation
and surely i'm shared in this jubilation.
for living in this life has been breathtakin.
my breath has been takin
and i stand unshaken for the memories
in my mind are consistently insistent on replaying.
Friday, February 12, 2010
Def Poetry #19
I like the pace of the snowflakes,
falling in place on my mouth to taste your lips-
and each crystallized pattern, your hand,
as they graze my face
and the cold melts away
my thoughts start to race
the companions agree with my motive,
and this note is more than the words wrote-
its the way I feel as you press
your cheek to mine-
and when I look you in the eyes
and see past the past lives
that I've looked at to find
this
If I could hold this place in time forever
I would-
for feeling this infinite is to fleeting for whenever
and if I were more clever
I'd find a more connotative means to write this letter
but my pen is running low on ink
and I think I feel the sands of
sleep beginning to sink into the
lids of my eyes-
and the corners feel the solid
but they also feel warmer
for another day, holds another chance
to hold her.
and the dreams of tonight
promise sweet flight to the arms
of the sunrise and the breaking
sight of the sky and the light.
drab or dreary clouds are not proud enough
to stab and weary or shroud the feelings of this time-
and the weather merely separates
the short walk to your place and my place
in your arms and yours in mine.
redundantly apparent I feel further than fine.
I don't know how else to convey
the way I feel when our fingers intertwine.